acerbis

AROUND

Design: Lodovico Acerbis, 2004

Low table in thick crystal glass with chromium plated steel leg. Upper shelf in shiny lacquered wood or veneered. With a simple move, it swivels easily to offer a useful support tray near to an armchair or a sofa.

www.acerbisinternational.com

LIFE

Design: Roberto Monsani, 1974 - 2001

Centre table. The tops are fixed to two hot-curved sheets of transparent or sandblasted methacrylate.

www.acerbisinternational.com

LITT

Coffee table with structure in bright polished stainless steel and glass transparent table top. Can be disassembled.

www.acerbisinternational.com

POND

Design: Marco Acerbis, 2006

A deep tinted mirror is raised from the ground to recreate the mystic reflection effect of perfectly still water. Everything around is mildly reflected on the surface, supported by a conical shell that mysteriously disappears in the shadow. Structure matt lacquered in the colours: slate grey, night blue, dark red. Reflecting top finishes: silver mirror or OXID slate grey, night blue, dark red. OXID is a special ''pirolite'' glass with particular deep reflecting effects. Easy to move thanks to hidden wheels in the base.

www.acerbisinternational.com

STEEL & ISALONI

Tagged:  

JUDD

 

Design: Oscar BurattiGabriele Buratti2001

System of tables that combine an essential line with rich materials. An innovative panel forms the base of the table with a reflecting Deepglass® X1 interior, noble wood interior, mirror interior, bright black laquered glass interior, and a bright polished steel exterior. Top in transparent glass with a central sandblasted square.

www.acerbisinternational.com

Compositions

Design: Lodovico Acerbis, 1999

Collection of furniture that interprets the current trends in our modern life: the many "free and different" lifestyles, the acceleration of technological innovations and the search for that unique atmosphere to reflect our individual personality in the home. This collection - made up of sideboards, wall shelves, upright furniture, shelving units e mirrors, is based on the principle of free combination. Here you can find not just functional and formal modularity in pure volumes but also technical skill. In fact, the system involves fitting the lighting equipment and cables connecting the various units together in a special “technical channel” behind the various items. Each element has one or more incorporated lighting units at the rear - an innovation in standard production furniture - which can be switched on and off to create different effects, even by remote control

www.acerbisinternational.com

Syndicate content